| Sound Director / Sound Director | Masayuki Endou |
| Main Sound Design / メインサウンドデザイン | Masayuki Endou |
| Music Composer / Music Composer | Hideyuki Fukasawa / 深澤秀行 |
| Special Thanks / Special Thanks | Jyunko Hirata (Chorus), Takamasa Segi / 瀬木貴将 (Zampona), Hiroshi Yamada / 山田広, Sung Dohyun |
| Composer Management / Composer Management | Sei Sato / 佐藤靖 (OfficeWithout) |
| Sound Programmer / Sound Programmer | Junichi Ohno |
| Event Sound Design / Event Sound Design | xilix |
| Cinematic Sound Design / Cinematic Sound Design | Soundelux DMG |
| Cinematic Mixing / Cinematic Mixing | Scott Martin Gershin |
| Sound Design / Sound Design | Scott Martin Gershin, Michael Kamper |
| Supervision / Supervision | Scott Martin Gershin |
| Foley Artists / Foley Artists | Jeffrey Wilhoit, Jimmy Moriana |
| Foley Mixer / Foley Mixer | Nerses Gezalyan |
| Foley Editing / Foley Editing | Mark Camperell, Clint Richardson |
| Assistant Supervisor / Assistant Supervisor | Sara Huddleston |
| Asset Coordinator / Asset Coordinator | Chad Bedell |
| Audio/Visual Coordinator / Audio/Visual Coordinator | James Tabb |
| Cinematic Music Composed by / Cinematic Music Composed by | Jamie Christopherson |
| Orchestrated by / Orchestrated by | Jamie Christopherson |
| Orchestra Performed by / Orchestra Performed by | Northwest Sinfonia |
| Recorded at / Recorded at | The Bastyr Chapel |
| Orchestra Contracted by / Orchestra Contracted by | Simon James |
| Shakuhachi Solos Performed by / Shakuhachi Solos Performed by | Charlie Adelphia |
| Score Mixed by / Score Mixed by | John Rodd |
| Score Mixed at / Score Mixed at | Soundelux DMG |
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