| Audio Director / Audio Director | Kosuke Tanaka / 田中浩介 |
| Lead Sound Designer / Lead Sound Designer | Hiroaki Igarashi / 五十嵐浩亮 |
| Sound Designers / Sound Designers | Yoshiki Sando, Yutaka Omuta, Nami Motoi / 元井奈美, Ryo Ogawa / 小川諒, Andres Alvarez, Hiyori Fujita / 藤田披之, Taiki Watanabe |
| Lead Composer / Lead Composer | Satoshi Hori / 堀諭史 |
| Composers / Composers | Mana Ogura / 小倉真奈, Marika Suzuki / 鈴木まり香 |
| Lead Sound Programmer / Lead Sound Programmer | Genta Miyashita |
| Sound Programmer / Sound Programmer | Tomohisa Marutani / 丸谷知久, Yuki Komoto / 小本勇貴, Genta Miyashita, Itsuki Inoue |
| Sound Tool Programmer / Sound Tool Programmer | Daisuke Mizuno |
| Sound Engineers / Sound Engineers | Ryota Takei / 武井良太, Takashi Moriguchi / 森口崇 |
| Sound Managers / Sound Managers | Yubo Hua, Naoya Yamanaka / 山中直也 |
| Manager of Sound Programming Team / Manager of Sound Programming Team | Kenji Kojima / 小島健二 |
| Vocal Recording / Vocal Recording | Rebirth Inc. |
| Biwa / Biwa | Kakushin Tomoyoshi |
| Engineer / Engineer | Shigeo Sakurai / 櫻井繁郎 |
| Coordinator / Coordinator | Kazuyuki Doki / 土岐和之 |
| Score Recording / Score Recording | Miracle Bus Corporation / 株式会社ミラクル・バス |
| Score Mixed by / Score Mixed by | Shinnosuke Miyazawa / 宮澤伸之介 |
| Orchestrator / Orchestrator | Nobuaki Nobusawa / 信澤宣明 |
| Conductor / Conductor | Matthew Slater |
| Orchestra Recorded by / Orchestra Recorded by | Gordon Davidson |
| Pro Tools / Pro Tools | George Oulton |
| Assistant Engineer / Assistant Engineer | Neil Dawes |
| Music Preparation / Music Preparation | Matthew Slater Music Preparation Services |
| Recorded at / Recorded at | Abbey Road Studios, AVACO STUDIO, ONKIO HAUS / 音響ハウス, Miracle Bus Studio, Fuchu-No-Mori Geijyutsu Gekijyo |
| Orchestra Contractor / Orchestra Contractor | Amy Stewart for Isobel Griffiths Ltd. |
| Orchestra Leader / Orchestra Leader | Thomas Bowes |
| Choir / Choir | London Voices |
| Co-directors / Co-directors | Terry Edwards, Ben Parry |
| Score Editor / Score Editor | Jeff Gartenbaum |
| Additional Engineering / Additional Engineering | Akihiro Nishimura |
| Production Assistant / Production Assistant | Natsuki Sugiyama / 杉山奈津希 (Lambda Productions), Moises Ignacio Garcia, Yuya Sasaki / 佐々木侑弥 |
| Mixed at / Mixed at | 416 Studio |
| Production Supervised by / Production Supervised by | Shinnosuke Miyazawa / 宮澤伸之介 |
| Recording Engineer / Recording Engineer | Yoshihide Mikami / 三上義英, Severin Schwarz, Fabio Coressel |
| Vocal Recorded by / Vocal Recorded by | Mary Shinohara / 篠原麻梨 |
| Bandoneon / Bandoneón | Ryota Komatsu / 小松亮太 |
| Renaissance Harps / Renaissance Harps | Marie Nishiyama / 西山まりえ |
| Gothic Harps / Gothic Harps | Marie Nishiyama / 西山まりえ |
| Viola da gamba / Viola da gamba | Kaori Koike |
| Travelso / Travelso | Hana Sasaki |
| Classic Guitar / Classic Guitar | Hiroaki Tsutsumi / 堤博明 |
| Duclar / Duclar | Akio Noguchi / 野口明生 |
| Pipe Organ / Pipe Organ | Yurie Tsuzuki |
| Vocals / Vocals | Sarah Àlainn |
| English Lyrics / English Lyrics | Sarah Àlainn |
| Music Director / Music Director | Mitsuo Iwasaki / 岩﨑充穂 |
| Cinematic Sound Design / Cinematic Sound Design | Forcewick Sound Design Co., Ltd |
| Sound Editors / Sound Editors | Masayuki Endou, Masayoshi Umezu / 梅津雅義, Ryo Inakura / 稲倉遼 |
| Lead Recordist / Lead Recordist | Patrice Börding |
| Post Production / Post Production | Patrice Börding, Severin Schwarz |
| Special Thanks / Special Thanks | Takeshi Kitamura / 北村武 |
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